Behind the scenes secrets...

Of making the Insufficient Mating Material book video.

Happy Superbowl Sunday, by the way. Have you seen my 50 second advertisement? Not on TV, naturally, but on MySpace and You-Tube and anywhere else that will put it up (including my home-run website... which isn't run by me!)

For the record, Edward Traxler --Myra Nour's brother-- did my video. However, I put in a lot more time and did a lot more work than I expected, so I really hope that it is as effective as a marketing tool as everyone who has them, seems to think.

I don't know. Seeing a cover cut up and moved around on a screen has never sent me to a bookstore with the speed and purpose of a heat-seeking missile.

When we started, I thought I knew what I wanted. For about $75 (not my end cost!) I wanted a Me-Too product, just to hedge my bets in case Susan Kearney, Linnea Sinclair, Mel Schroeder, Myra Nour, Ruth Kerce, Mandy Roth and Michelle Pillow (I watch Mandy and Michelle, because they must be the most savvy self-promoters I've ever seen, and I mean that in the nicest possible way) are right.

Music: I wanted the Pilgrim's Chorus from Wagner's Tannhauser. I'd once seen a feeble --but choral-- version on a Royalty Free site. Failing that, yeah, Billy Idol's White Wedding or Jethro Tull's Locomotive Breath would do nicely, but that idea was quickly squashed. One cannot buy Royalty Free 30 second clips of Rock Star's music. Alas!

And, to get anything except the orchestral Overture from Tannhauser, the sites I visited required Membership and a commitment to buy more than 30 seconds of good stuff.

Ed gave me links to six sites that sell legal-to-use music, and told me to find what I wanted. Imagine... well, I am picky and I have expensive tastes. If I couldn't have someone famous, I wanted a lot of people, so I hunted for a good, bombastic choir. I'd hoped for massed, warrior-like men in extasy, but settled for kick-butt females going Aaaaaaaahhhhh.

I'd seen Lightboxes in an earlier reconnoitre, but hadn't figured out how to use the site. I learned. I thought I wanted beach and sea and an aurora borealis to play up the cover art, which I assumed we'd be cutting up.

Unfortunately, my From-Here-To-Eternity cover models are in an isoceles triangle configuration, so there was no way to make them roll over (and over again) in the surf.


Using the index and search functions, I wasted a lot of time looking at seascapes, hoping to find ejaculating clams.... or something that could suggest that.

Also, I went through a lot of little campfires (most had unsuitable men in
baseball caps silhouetted against the flames). My romantic aliens do not wear baseball caps or Chicago Bears helmets. Eventually, I decided that it was witty, funny, and appropriate to show a really big fire. If you've read Insufficient Mating Material, you'll understand why.

Then Ed sent me to a NASA site, and I spent a day or two looking at
starfields and comets and planets.

Next, he sent me to the airforce to check out jetfighters, and then to....look at fonts and colors.

And meanwhile I was trawling MySpace trying to find a cheap, naked man.

I found one enjoying a shower (which would have been really good, given one of the archetypically dirty tricks Tarrant-Arragon plays on his sister) but .... it wasn't to be.

Thank Evan I remembered what a good sport Evan Scott is! He said I could use one of his photographs. Oh, but the trouble we had removing Evan's hair, and putting a piratical headsquare on his head. The early efforts looked like a hard, orange hat. No one wears a construction site helmet and nothing else in the sea.

There was another shot we considered... Evan was waist deep in the sea, proudly holding up a manly bathing-costume. We turned the swim suit into a big fish, as if he'd just tickled a sea-going trout and caught it.

However, the fish was a distraction, and would take too many words to explain, even if there IS a school of thought that says you can use fish skin as a condom. SURVIVORMAN (who was my survival techniques consultant for the book) opines that you can't, but that rabbit guts are an option.

Back to Evan's inconvenient hair. You can imagine me googling Pirates of the Caribbean for good-looking headwear. Unfortunately, most of that looked good because of the explosion of dreadlocks and beaded beard underneath the scarf.

And, Djetth should have had a goatee, but Ed draws goatees like a subway grafitti artist putting facial hair on the Mona Lisa (it must be his only weakness), so I googled Men In Goatees. (That was an interesting search!) I also found Max Von Sydow's Ming from Flash Gordon, and Andre Agussi and Brad Pit and chin curtains. Chin Curtains!!

In the end, I decided that Djetth did not need a goatee for the purposes of this trailer.

Then, finally, the video is done, and Ed puts up a really good resolution, and I discover that the hero in the sea has what looks like monster love bites around his visible nipple.

No one seems to mind, though.

Best wishes,

Rowena Cherry
"Insufficient Mating Material is a strong, intelligently written book..."
~Marcy Arbitman, JERR

PS. Don't forget to check out the covers of INSUFFICIENT MATING MATERIAL. Find the Hidden Image, enter the contest (at www.rowenacherry.com/hiddenimage/) and you might win a bookstore shopping spree.

INSUFFICIENT MATING MATERIAL : in stores, warehouse is out

Here's what I've been working on, amongst other things. My first book video! If you are kind enough to watch it, you will find custom produced scenes from Insufficient Mating Material. It's quite a task trying to reduce a 323 page novel into eight lines of text.... and fewer than forty words.

LOL. I used more in the "labels" below this post, forgive me for trying out all the new bells and whistles.

Enjoy.

Best wishes,
Rowena Cherry

Thusness (and the importance of a jolly good ending)

I don't see "Thusness" being talked about very much. One of my English professors at Homerton College, Cambridge, taught me the expression and the concept, and I've never forgotten it.

At the time, I believe we were studying Alfred, Lord Tennyson's Idylls of the King. Epic poetry. Medieval Fantasy SpecRom opera with never-ending quests for the Holy Grail, swords, sorcery, treachery, maidens being surprised in their bathtubs by horny rotters. Inspiring stuff, really! That's what I remember. But it could have been Browning, or Coleridge.

Maybe someone will want to tell me that the Arthurian legends aren't SpecRom. I might answer that it all depends who is retelling them, and how.

The bottom line with "Thusness" --as I internalized it-- is that all the interwoven story threads are tied up so neatly by the end of the story that the reader is left with a feeling of great satisfaction and justice. Not only is everything explained (that needs to be explained), but there is harmony, balance, and maybe that forehead-slap of enlightenment.

"Thusness" makes a story memorable and thought-provoking (in a pleasurable way) after the last word has been read, and the book has been put away... or returned to the library. The ending is "right" and has a quality of inevitability. Of course, in a romance, it is generally accepted that, inevitably, the hero and the heroine will live happily ever after together.

That's not quite what I mean by "inevitability."

Perhaps "thusness" is like the old definition of obscenity. "...I know it when I see it."

If that is the case, how does a writer achieve "Thusness"? Some of us are plotters, outliners, linear writers. Others are pantsers, channellers. Some do both. Some put a book together like a jigsaw (I do). Some plan it like dinner... you know, it has a beginning (starter), a middle (main course), and an ending (the pudding).

"Pudding" might not be entirely felicitous. Some end with a Bombe Surprise, or cheesecake, others with a swiggable yoghurt or quick coffee. It's all good, but probably it's most satisfying if it is a balanced meal.

I try for thusness. If I have three prologues (of course, they cannot be called that), I need three epilogues. This might mean that a lot has to be cut from the middle to meet the publisher's page limit (about 400 double spaced pages at 250 wpp).

Once the ending is written --and not all authors know the details of how their heroes' stories will end when they begin-- well, then you have the linear warp, but not the weft (weaving imagery). Then, knowing how your story ends, you go back to the beginning and weave in the almost-invisible details at regular intervals.

Perhaps your editor wants the villain to be badder. (Given that badder is good English). For "Thusness" as I see it, it isn't enough to put super bad thoughts into his point of view one scene before he gets his come-uppance, though that would be the quickest and easy edit... and on a deadline, quick and easy is very tempting! In my opinion, the first time the reader sees this villain he has to be doing something bad, although it could be stealth wickedness. We may not recognize his evil for what it is, after all, he hasn't been caught.

And so it goes. A hint is woven in, and it has to be repeated, not necessarily every seventy pages, but that's a reasonable rough guide. The Imperial March was a pretty cool tune. They say the devil gets all the best tunes. It took a while before we realized that it meant that the bad guy was up to no good. Same with the Jaws horn riff. (If horns can riff).

Because Jolly Good Endings and striving for "Thusness" is important to me, I was thrilled with a recent review by "Bookmaedin" posted at http://www.ibookdb.net/review/58607

Excerpt
"This book also has one of the best ending sequences. Everyone in the story pulls together against a common enemy. Ms. Cherry has created a seriously evil villain. What goes around comes around, and it definitely came back on this villainous specimen.

Trust me, INSUFFICIENT MATING MATERIAL is a book you don’t want to miss. Be sure to check out the back-story in Rowena Cherry’s previous book, Forced Mate.

~Review by bookmaedin for iBookDB Review: Insufficient Mating Material"

INSUFFICIENT MATING MATERIAL will be in bookstores on January 30th.